![]() Worldwide release April 29, 2005 in the former headquarters of the "Asbury Park Press" on Mattison Avenue, Asbury Park, NJ, where the author started her career in journalism in 1976. What one reviewer had to say: In her book, "Asbury Park's Glory Days", author Helen-Chantal Pike has fulfilled a long-standing need: A biography of one of the Jersey shore's most significant seashore towns. The hsitory of Asbury's rival resort, Long Branch, had already been chronicled by the WPA's writer's project, back in the 1930's. Those forgotten writers did a thorough job with the Branch's storied past. But Asbury lacked a significanct memoir. Pike has taken on the task, and aced it beautifully. The book, published by Rutgers University Press in 2005, is a treasure chest of souvenirs, written and photographic, of the Park's fabulous past. Even the hard cover, beneath the jacket, is reminiscent of a fine old family trunk in the attic. The jacket itself is a colorful array of scenes of significnt spots from within Asbury's borders and past. The contents are crammed with wonderful characters, places and incidents that filled Asbury Park's history. The town of Asbury Park has stumbled along a troubled path as well, and Pike looks at it all with a comprehending eye. She understands the problems of municipal government and changing demographics, and writes about them comprehensively. Her book is valuable in many ways, but three came through to me clearly. This is a book for everyone interested in New Jersey history; for everyone interested in the evolution of resorts areas; and moreover, for everyone who wants to know how cities crumble from within, and succumb to inner city blight. Happily, Asbury Park is struggling to make a comeback, and is well more than halfway there, and Helen Pike's "Asbury Park's Glory Days" is on top of it all. Don't miss this one! ~ Art Scott Flagstaff, AZ 2007 ![]() The Asbury Park Trivia Test: 1. What realism author, journalist, and war correspondent has his teenage home restored as America's only museum devoted to his life? 2. Grand Central Station architect Whitney Warren was hired to design Asbury Park's signature boardwalk buildings and what other notable building? 3. Atlantic City launched the Miss America pageant to lure visitors back after the wildly successful pageant for what age group in Asbury Park? 4. What famous partner in a comedic duo was born in Asbury Park? [hint: his partner was also Jersey-born.] 5. "It slices! It dices!" - what is the name of the uber TV salesman who learned the art of the sales pitch at his uncle's Fourth Avenue arcade? 6. What rock club began as a seasonal hot dog stand? [hint: it's not the Wonder Bar.] 7. The Walter Reade Theatre at Lincoln Center in New York City is only one of two marquees left with the family name on it. Where in Asbury Park is the other one? 8. One of ragtime bandleader Arthur Pryor's compositions made it into "The Wizard of Oz". It is the backdrop for which famous scene featuring Toto? 9. "The Morro Castle" went up in flames and ran aground within 10 feet of Convention Hall in 1934, forcing Cole Porter to rewrite the ending to what Broadway-bound musical? 10. Asbury Park has been the down-and-out setting for such recent cinematic efforts as "City by the Sea" with Robert DeNiro, "Earthly Possessions" with Susan Saradon, and HBO's "The Sopranos". What movie starring Rodney Dangerfield shows the interiors of Asbury Park's once glorious projection houses? 11. She lived on Sixth Avenue when she won the Pulitzer Prize for Poetry. Who was she? 12. He wrote "With Lawrence in Arabia" at his father's house on Fourth Avenue. Who was he? 13. He drove Einstein's brain across the country. Can you name that pathologist from the Medical Arts Building on Grand and Monroe Avenues? 14. He was the opening act for Cheech and Chong at Convention Hall. Who was he? |
Asbury Park’s Glory Days: The Story of an American ResortPrologue: 1982 I left the north Jersey shore and my newspaper job at the Asbury Park Press in 1982 to attend graduate school at Columbia University. By that time, Asbury Park was generating memories mostly for day-trippers and rock band groupies. Old-timers told fabulous stories about men in tuxedos and ladies swathed in evening gowns strolling the nighttime Boardwalk, about thrilling movie premieres at the Mayfair and Paramount theaters, Frank Sinatra’s career before and after his break with band leader Tommy Dorsey, and shopping for bargains or going to the clubs along the vibrant, ethnically and racially mixed, Springwood Avenue, likening it to New York City's Harlem. But as the 1980s progressed, Asbury Park’s status as a popular resort began to decline. The mayor was trying desperately to find a buyer for the city's once thriving Boardwalk. The amusement circuit’s two vintage carousels were sold and shipped out of state. The jazz and rock clubs were going to seed. Record scouts, once noticeable in the wake of Bruce Springsteen's maiden album, "Greetings From Asbury Park", were hard to spot. Mysteriously set fires continued to claim vacated buildings, and all over the city, huge empty blocks sprouted weeds, broken glass and the detritus of drugs and street sex. The mentally ill, liberated from state institutions without appropriate housing or services in part of a nationwide trend, arrived here, as they did elsewhere, and wound up panhandling on the Boardwalk and on side streets. They checked in to previously comfortable boardinghouses and motels that were struggling to stay financially solvent as the public’s travel habits changed. As the twentieth century came to an end, another government policy -- the promise of safe, affordable low-income, high-rise public housing -- soured. Plan after plan for a civic revival failed to take hold. Just when everyone thought the city's decline couldn't get any worse, it did. When I returned in 1991, Asbury Park resembled a ghost town. It was routinely referred to by some Beirut on the Jersey Shore and by others as Dresden. The terms reflected a generational distinction between those whose referece points was World War II and those whose images of war centered on the Middle East, but the shared implication - bmbed beyond recognition - was clear. The nearly deserted streets made Asbury Park a convenient commuter drive-through. Highways originally paved to carry vacationers to and from the Shore were now arteries to the newly built Interstate 195. The city's wide streets became short cuts for employees who lived on the coast but worked in Trenton or elsewhere in the burgeoning Mercer County. Meanwhile, school children, unaccustomed to seeing much traffic, routinely crossed against the flow in what seemed to outsiders a careless disregard for the changing lights. It was not uncommon to see drug deals in broad daylight. Women, residents and visitors alike, found themselves propositioned by men cruising in cars and trucks in even the more stable residential neighborhoods. Asbury Park had a police department so wracked by corruption that one enterprising detective ran a private security business from his desk inside the squad room. A mayor was arrested for buying cocaine in a bar across from City Hall after a council meeting. The Board of Education was ill-prepared for implementing more and more state mandates to provide social welfare programs and raise test scores. Real estate money went elsewhere. After all, there are one hundred twenty-seven miles of coastline between Sandy Hook and Cape May and more hospitable, even eager, investment climates. The redevelopment of Atlantic City, with large hotel "showrooms", was finally underway thanks to the special casino account that was part of the state referendum to allow restricted gambling in New Jersey. The boardwalk in North Wildwood maintained its stability largely thanks to two generations of the Morey family, while four generations of Gillians in Ocean City anchored the northern end of the boardwalk in the historically "dry," and skillfully promoted,and family-friendly Methodist resort community. The state's oldest seashore resort, Cape May, was firmly established as a bed-and-breakfast destination, capitalizing on reclaimed Victorian splendor, its business and civic leaders working together to find an alternate plan for housing the mentally ill. I spent the 1990s writing about New Jersey’s travel and tourism industry, and noticed that Ocean Grove, Asbury Park's twin city, was experiencing a revival as a result of an aggressive move by business owners to shut down illegal boardinghouses and tighten zoning codes. Even Long Branch, Asbury Park's historic competitor in the local travel and residential markets, was shaking itself out of a decades-long slump with construction of the north Jersey shore's first significant beach hotel in decades and Miami-style high-rise condominiums. But Asbury Park remained locked in the embrace of an out-of-state developer whose fortunes were tied to New England banks. Changes made in 1986 to New Jersey investment tax laws and the country's regional recession of the early 1990s put his grandiose plans for the Boardwalk and the eight blocks of parallel real estate on hold. Meanwhile, the city, grinding into bankruptcy with millions of dollars in unpaid property taxes, was poised to become the fourth urban center - Camden, Newark and Jersey City - to be supervised by state officials. The glamorous, exciting Asbury Park that had drawn wealthy vacationers and celebrities existed only in people’s memories. New generations had been born who did not know what it meant to ride the entertainment circuit, buy freshly baked bread on Springwood Avenue, or take pride in a high school academic and athletic program that once dominated state competitions. Even fortune teller Madame Marie had moved from her Boardwalk booth to a two-story brick building on State Highway 35 in Ocean Township, one of the city’s many post-war suburbs. Driving through the devastation that ravaged both the East and West Sides of the railroad tracks, one couldn’t help but wonder what had attracted people to Asbury Park in the first place. ******************************************************** "Ms. Pike spares neither villain nor hero in her saga of her favorite resort. There are mobsters and stand-up clergymen; showgirls and shopkeepers; restaurateurs with class and the classy people who kept them in business. Most of all, there are the little stories told by just plain folks interspersed throughout Ms. Pike's historical narrative." ~ New York Times ![]() Image TK Prologue, 1982 Chapter 1: Location, Location, Location Chapter 2: The Avenues Chapter 3: The Beach, the Boardwalk, and the Palace Chapter 4: The Entertainment Circuits Chapter 5: Dining Out, Sleeping In Chapter 6: Downtown Chapter 7: The Society Epilogue, 2002 ![]() Here I am during one of two tours of the original Casino where I had learned to ice skate from Bob Barabee, back in the 1960s. By the 1990s, locals had nicknamed the Arena "The Arboretum". It was torn down in 2007. To see why I paired this photo with the Q&A below, read on! Arts Coalition of Asbury Park P.O. Box 507 Asbury Park, N.J. 07712 www.artscap.org In this series, ArtsCAP interviews arts affiliated “locals” or “not-so-locals” with an Asbury Park connection. We hope the interviews will be informative and fun and that they help you better appreciate your neighbor and her or his talents you never knew about. This week, we are thrilled to learn more about nationally renowned author Helen Pike, whose books Asbury Park’s Glory Days: The Story of an American Resort and Asbury Park: Images of America are devoted to Asbury Park history. More about Ms. Pike can be found at www.helenpike.com. The Coaster, January 10, 2008 What do you think you are most well known for? As a writer of non-fiction books about New Jersey. My eighth book comes out in the spring. What is something that people probably don't know about you, and/or that you are very proud of? I do a lot of my own photography, especially black and white. The first time photographer Kathy Dorn Severini was in my home she thought the photos on the walls came from the Dorn's Classic Collection. I was flattered. Why do you think that ART is important? Art is about the quality of life we live. When it's well done ~ painting, books, music, dance, video ~ the audience is engaged. Their responses translate into participation and that, in turn, creates community. Commercial television doesn't do that. What “art form” first comes to mind when you think of Asbury Park? Architecture. Asbury Park is a very visual city. Good, bad and ironic. The occasional billboard or even a PSA from the county prosecutor's office adds to the juxtaposition of images. Were you involved in any ‘art’ while you were in school? Just the usual: high school and college newspaper; classes in photography. Are you involved with teaching “art” in any way? These days, to lecture on the college level requires a certain amount of performance in the delivery of material to the students. In addition, part of my course requirement at Rutgers University-New Brunswick is that media students present a paper. How they do it can take any shape that best suits them, but part of the grade they earn is based on how well they engage their classmates in their topic. Do you consider yourself an artist or a patron of the arts or both? If both, in which order? Both, but I can't put in one ahead of the other. When I'm involved in a project, I'm usually a patron, using my participation as part of the thought process. I often carry a small notebook to musical events because those, in particular, trigger ideas. Are you currently making a living with your art? Do you have to have a second job to ‘pay the rent”? What would make it easier? Writing is too solitary a craft for me to do only that, so I teach part-time. There's an exchange of ideas in the classroom that you don't get in the real world where too many people are focused on having the last word. Since '05 I've had classes with military students, some about to serve in Iraq or Afghanistan, and some just returning. Their perspective has opened up a whole other realm of discussion I wouldn't have otherwise. As an artist, after completing a work of art (or a debut), how do you celebrate? Go out to dinner with friends or else throw a party. Either way, it's important to commemorate getting to the finish line. Do you have any plans for the future that involve Asbury Park? I have two new book ideas and a couple of video projects. Do you now or have you ever lived in Asbury Park? Only as a house and cat sitter; the property taxes are too high for me to trade in my house in Eatontown and find a comparable value in Asbury Park. What is your favorite hang-out in Asbury Park? Why? The Adriatic. It's down home. Friends took me there to celebrate my birthday in 1997, and I've been checking in ever since. When friends come from out-of-state I make an expedition of sampling the other tables. Asbury Park is a gourmet’s paradise. What is your favorite Asbury Park memory? Scaling the Casino and the Palace Amusements to take interior photographs. I was working out the logistics of getting into the Albion Hotel when it came down. If you couldn’t be successful doing your art, what would you like to do instead? Be an interior designer. What would you like your tombstone to say? “Greetings from heaven. Wish you were here.” I've already talked to gravestone designer Beth Woolley about it. What one thing in your past would you change if you could? Chosen more wisely at love. What kind of car do you drive? Some people say it is a reflection of your personality. I've had 2 VWs, one Karmen Ghia (my favorite), one Volvo, and now a Nissan Pathfinder that I use as a mobile office because of all the driving I do. What I really want is someone to drive me so I can look at the scenery. I wouldn't care what they drive though a convertible for shooting images would be nice. A retractable roof works, too. What do you think ArtsCAP can do to promote the ARTS in Asbury Park? Take a more vocal activist role in the public debate about the role of art in Asbury Park's renaissance. |
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